collections
Intervals of Inframince (series) Infra-Image (N24°56'41.78", E121°18'2.17")Infra-Image (N24°56'42.85", E121°18'3.29")
Infra-Image (N24°44'54.43", E121°4'42.03")
Infra-Image (N25°3'50.18", E121°25'58.33")
Infra-Image (N25°1'34.26", E121°28'20.27")
Cut and Paste (N25°4'2.09", E121°31'38.57")
Copy and Paste (N25°0'53.18", E121°28'1.22")
After Image (N25°4'20.81", E121°31'29.29") Full-size Image (series) Whispers of Breeze (series)
Topology of Space
Festival Artworks
(N24°56'42.85", E121°18'3.29")
Digital projector, exhibition wall (wood panel wall)
Site-specific
2022
Hsinchu 241 Art Space / Coordinates: N24°56'42.85", E121°18'3.29"
Infra-Image (N24°56'42.85", E121°18'3.29") explores how image reproduction shapes the perception of time. A "blank light source" is projected onto a stripped section of the exhibition wall, exposing traces of past construction and repairs. These remnants, once hidden, now emerge as a projected image, turning the architectural surface into both a physical material and a representation of its own past.
Suspended between materiality and image, the wall blurs the boundary between presence and re-presence. The work prompts viewers to question whether they are witnessing a physical surface or a lingering trace of the past. In doing so, it reinterprets Roland Barthes' assertion in Camera Lucida that images are inseparable from the past.