collections
Intervals of Inframince Infra-Image (N24°56'41.78", E121°18'2.17")Infra-Image (N24°56'42.85", E121°18'3.29")
Infra-Image (N24°44'54.43", E121°4'42.03")
Infra-Image (N25°3'50.18", E121°25'58.33")
Infra-Image (N25°1'34.26", E121°28'20.27")
Cut and Paste (N25°4'2.09", E121°31'38.57")
Copy and Paste (N25°0'53.18", E121°28'1.22")
After Image (N25°4'20.81", E121°31'29.29") Full-size Image Whispers of Breeze
Topology of Space
Festival Artworks
2022-2025
Is it possible for the image to free itself from its nature as a medium, and instead make “the image itself” visible?
The Infra-Image (series) replaces projection light sources with illumination lighting, transforming the illuminated architectural surface into its own representational image. By manipulating the conditions of re-presentation, the image shifts from a passive object to a perceptually constructed artifact—actively formed through the act of viewing. This process reveals that an image is not merely an optical conversion of the external world, but a construct shaped, manipulated, and even acquired through viewing.
The series investigates “generation,” “defocusing,” “cut and paste,” and “duplication,” not only examining how images are constructed through acquired visual experience, but also continuously approaching the inframince threshold—a liminal boundary between the material surface and the image plane.