collections
Intervals of Inframince (series) Infra-Image (N24°56'41.78", E121°18'2.17")Infra-Image (N24°56'42.85", E121°18'3.29")
Infra-Image (N24°44'54.43", E121°4'42.03")
Infra-Image (N25°3'50.18", E121°25'58.33")
Infra-Image (N25°1'34.26", E121°28'20.27")
Cut and Paste (N25°4'2.09", E121°31'38.57")
Copy and Paste (N25°0'53.18", E121°28'1.22")
After Image (N25°4'20.81", E121°31'29.29") Full-size Image (series) Whispers of Breeze (series)
Topology of Space
Festival Artworks
(N25°1'34.26", E121°28'20.27")
Digital projector, exhibition wall (calcium silicate board)
Site-specific
2022
New Taipei City Arts Center / Coordinates: N25°1'34.26", E121°28'20.27"
Infra-Image (N25°1'34.26",E121°28'20.27") explores how the visual characteristics of "distortion" affect the perception of materiality within the act of viewing.
A blank projection light in a standard 16:9 aspect ratio was cast onto the wall, with its paint stripped away to expose the underlying calcium silicate board. Due to the material’s properties, the adhesive seams within the board blurred and lost their clarity after sanding. When these blurred material features were illuminated by the projection and entered the framework of image perception, the blurriness was no longer a property of the material’s texture but instead became an optical effect akin to photographic defocus.
For the architectural wall itself, it was not only perceived as its own representational image through the act of viewing, but also, due to the visual characteristics of defocus, it began to align with any material object in the image world that shared a similar form, allowing it to acquire new identities and interpretations in the context of the image.